“More than almost any artist of the last century Jack Smith understood that within the prevailing cultures of success, art’s greatest role may have been to provide provision for public failure. To this end his actors and accomplices, props and lighting, drugs and desires were invariably wrong: wrong before the performance had started – before even the lights had gone down. The marathon of tourettic revisions, false starts and delays signaled to the world the impossibility of creating anything of value in a rectilinear lagoon where even the dedicated and willing were dragged to the bottom-feeding level of landlords and lobsters. Yet out of these impossible conditions was born the stuff of exquisite beauty, radical politics, lurid, caustic, pornographic and often hilarious evocations of the sexual and social strata in which we find ourselves. Much of this endures even in conditions Smith would have most likely have loathed. But the fact that the same frictions that heated and formed his work continue to frustrate curators as well as inflame and inspire artists – including those who have agreed to continue the spirit and legacy with works created for this show – is, I hope, testament to the enduring power and influence of Jack Smith’s extraordinary art.”
Neville Wakefield |
